Thursday, March 29, 2012

Taking the Road Less Traveled


If the mark of authentic faith is being a light in the darkness, filmmakers Will Bakke, Michael Allen and Alex Carroll have flipped on a searchlight. When these twenty-something friends decided that what they “knew” about Jesus just wasn’t enough anymore, they set out to find answers to some tough questions, documenting the journey as they went. We caught up with Beware of Christians director Will Bakke to discuss their two illuminating films, how Riot Studios came to be, and what he believes is the hope for America…

John: To start us out, could you give us a brief synopsis about (your production company) Riot Studios?

Will Bakke: We actually formed Riot Studios shortly after completion of our film Beware Of Christians. Once we finished the film we didn’t really know where it was going to take us – we [had actually] made it just for our friends and families, the community we’d grown up in and the colleges we were at, not having [realized] that there was such a unique voice in the movie – something that we were kind of gaining ground with. So we decided to start a production company called Riot Studios to basically funnel all of our projects through and to have a brand name behind it all. Riot was kinda the brainchild of Alex Carroll, Michael Allen and myself. We really wanted to create a platform where all different types of media could be showcased and people could see what Jesus was doing in our hearts; what He was bringing out of that passion for Him, whether it be in film-making or music or whatever it was that we were doing. That all kind of came out of our relationship with Christ.

JOHN: That’s fantastic. So now, what led your decision to make this film?  

Will: It all started the summer before that actually with our first film that we made called One Nation Under God. So [that movie] was really the launch point for us to realize, “hey, ok, Will has the skill set to actually be able to make a film” and “I think we have an interesting enough topic to discuss” and really, we’d never seen a film like the one we wanted to make. We’d never seen a movie that didn’t try to paint the way life should be but rather painted life the way that it is. And so that’s kind of what we wanted to do, just put all of these topics that we struggled with in college and [in] following Christ out on the table and say, “what can we learn? How can we get past our own justifications to the way we want to live, and really look at Biblically how Jesus is calling us to live?”

JOHN: So how did you decide to take this journey in Europe?

Will: It all kind of came about when we were first talking about doing this movie (I forget which one of us said), “ya know, it’s hard to solve a problem when you’re sitting right in the middle of it.” And so that was kind of the idea: getting out of our comfort zone, getting out of our Christian routines, taking a step outside of that in order to look back and really see it from a new perspective. The movie was about the study of Christian habit and the way that we might have been saying one thing and then acting out a way that was completely contrary to the Gospel we were claiming. So Europe just happened to be our choice because (as the director) there was that journey aspect – we were going to be traveling from country to country. It really could have been anywhere in the world but Europe stuck out to us because they have a great train system. It’s very accessible to get through multiple countries, and that’s something that we wanted for the film, to experience a lot of different cultures and different perspectives. So Europe was the obvious choice in that sense.

JOHN: Some would say that the sort of post-modern Christian culture in Europe is kind of the parent of Christian culture the in U.S. As followers of Jesus, how did you adjust to the differences in the way they approach or live out faith?

Will: I think the word that sticks out to me (to be very honest) is refreshing. I had grown up in a Christian culture where everyone tends to stay comfortable on the surface-level of conversation when it comes to Jesus. No one likes to have the tough issues put in their face for them to deal with. So going to Europe, I mean, it’s like you said – it’s very post-Christian. People are much more willing to tell you flat-out that you’re an idiot for believing in Jesus if that’s what they believe. So we didn’t have try so hard to get past the layers down to what someone believed, they were very up-front about it from the beginning. Yeah, it’s scary how many people are not following Christ over there – a lot of them do not believe Jesus. But at the same time, the people we met who were claiming to follow Christ; you could see it in all parts of their lives because there was nothing in it for them to say that unless they truly meant it. So it’s scary at one point and then at the other it’s just very refreshing to see people be very honest about what they believe. I think it’s just easy for us in America to say one thing and maybe convince ourselves that that’s enough and totally live the opposite of the Gospel that we’re claiming. Then at the end of our lives we die and then, ya know, we never really got it. We’ve got this empty shell of a faith that doesn’t really cut it… isn’t very substantial.

JOHN: In the trailer for Beware of Christians there is a phrase that flashes across the screen that says “we are churched out.” What did you mean with that statement?

Will: I think church for us at that point in our lives had become almost another source of entertainment, or just an event. And I think especially in this culture with so many amazing speakers and authors, it’s like we go in order to be entertained or just to be fed information. For a lot of us, it all [just] stays up in our heads. We can think one thing, but the biggest problem in America is that we aren’t doing anything about it. We’re simply going to hear a nice sermon, agree with it, maybe feel some sort of conviction that day but we don’t ever put it into practice. So when we made this movie that’s how we felt, like we were being poured into mentally and had all these great questions, but our lives and our actions didn’t reflect that. And so I think that was the moment that we said we need to do something about that, we don’t want to just hear about Jesus but let it have zero effect on the way that we live out our lives.

JOHN: As a result of making this film you guys are now traveling around the U.S. to churches and universities playing this documentary for people. How are they responding to it?

Will: I think one of the coolest quotes is by a writer/activist named Ann Lamont who said “the most powerful sermon in the world is two words: me too.” And what’s cool about that is I feel like we share this movie with a lot of people who have never heard about it, what it’s about. They come in, they watch the film and it’s almost like this deep-exhale-breath-of-fresh-air at the very end where a lot of times they say, thank you so much, you put on film what I feel like I’ve been thinking for such a long time – as if it was frowned upon to ask these tough questions and to admit that we don’t have all the answers. And so with college students especially, we meet others just like us who were raised with the answers without ever really asking the questions themselves. So what’s cool is we begin a discussion with them to say, these are the most important questions you’ll ask yourself in your lifetime. We should be willing to seek after those answers and be willing to figure out what we truly believe about Jesus. So I think the words real, raw and refreshing all come to mind because they’re just seeing honesty and truth in a way that hasn’t been presented before. It’s somewhat because of the unique medium. Ya know, documentaries tend to not do so well at the box office or on DVD, but I feel like because the subject matter is so crucial, so serious, [and it’s] taken in sort of a light-hearted comedic way, I think people just love grabbing on to that because they realize that it is a discussion. It is tough, but there’s so much grace that’s extended when you’re willing to ask those questions. So the response has been overwhelming and incredible.

JOHN: When you guys are at a secular college or university, what would you say is the percentage of believers versus unbelievers in the audience?

Will: I would say probably somewhere around 75-85% are believers. I mean, obviously I can’t have any idea, but just from the amount of conversations that I’ve been able to have it seems about like that. I think most Christians are drawn to [the film] because of the subject matter whereas maybe a lot of non-Christians may be drawn to it by the title alone (laughs) or by the discussion they see coming afterward. We have plenty of atheist groups that come out to our screenings who want to debate with us and it’s actually kind of fun because I think they all have this perception of what we’re going to be like, then they see the movie and realize that we’re probably not the people they’re most mad at. We’re just willing to have a conversation; we don’t want to have an argument. We refuse to be enemies with anybody. Our calling is just to love other people and I think they see that through this film. That’s our agenda. Not to win an argument or force any sort of doctrine down anyone’s throats. We’re just simply here to talk about Jesus.

JOHN: So as Riot Studios, what is your end goal? What do you hope to accomplish through this?

Will: I think for us we want to begin the discussion and the thought-process that maybe the way Jesus called us to live our lives does not look like the American Christianity that we’ve been raised to know and maybe even love. I think that’s the biggest point that we can get out there, that Jesus calls us to something that’s so much bigger and so much better. And to be willing to ask those questions. I think that would probably be the second thing we would say is that we really, really just encourage kids to ask the tough questions and make those decisions for themselves. Don’t let this faith be your mom’s or your dad’s or pastor’s or anybody else’s other than your own because it’s just not going to mean as much (if anything at all) if you’re just believing it for any other reason than to truly yearn for that.

JOHN: Will, do you personally think that the church here in the West is in trouble?

Will: (sigh) Man that’s a good question. I… I think if I were to look at the trends of what has happened in Europe and then what happens in the United States… Well, I’ll say this, because the United States has seemed to take a similar path to Europe we’re just some years behind it, decades behind it, I’d say based on the evidence, yes – we’re in trouble. But I think especially from this generation with the amount of communication and connectivity there’s a different path that America’s churches are going to take. I think the word is going to get out fast enough that says, hey we’re not about a religion, we’re simply not about routine, we’re about a relationship with Jesus – and that’s what is going to turn the tide. I think in Europe it became so much about religion and routines that when life didn’t work out at times people were just giving up on religion because it didn’t follow through on what it promised – happiness or security or comfort or whatever. I think this generation and churches today, especially in America, are starting to learn how to push that it’s about Jesus and not about our own level of comfort. I hope that’s not too vague of an answer, but it’s a tough question so… (laughs).

JOHN: That’s what we’re here to do Will, make you cry and sweat. Kidding. So based on that (and maybe this question will help you summarize your last thought), in your estimation, what is the hope for our churches in the West?

Will: The hope is Jesus. In summing up that last question I’m not as worried about it because I believe that based on this generation and the new level of communication and connectivity, I think there’s so much hope – the name of Jesus and the grace of Jesus is spreading at a much faster rate than in generations before…

JOHN: That’s a great answer – actually both of them. So we’d like to talk a little about your other film, One Nation Under God. But let’s back up a second, just for reference, when did you create these films?

Will: We shot One Nation Under God in the summer of 2008 and premiered it just in Texas (just a couple showings) in the spring of 2009. And then we immediately left to film Beware of Christians in the summer of 2009 and premiered/released it in 2010.

JOHN: Ok that helps. So, One Nation Under God sounds like it could be a political film. Is it?

Will: I don’t think it’s a political film. The idea was to say we’re one nation under God, but which “god” are we talking about here? Let’s go see what other people believe, and see which god they would say it was. In that film four of us (Michael Allen and myself from Beware of Christians are in it and actually two other buddies of ours) road trip around the United States in order to ask people just two basic questions: “What do you think happens when you die?” And, “who do you think Jesus Christ was?” And so those questions ultimately lead to more questions… but a lot of it was about trying to figure out what do people believe in, (because everyone puts their faith in something) and that’s what we really wanted to get to. Is it the Christian God that we’ve been told is the God of America? And so the movie is pretty funny (laughs), we’re obviously more immature at this point (I think only 20 at the time we made this movie) and we end up crashing on peoples’ couches all over the country, which is amazing because it lends us to staying with Mormons, with Muslims, atheists, some hippies out in Portland, plenty of different religions and plenty of different people that put their faith in something other than what we have put our faith in. And so it debunks some stereotypes and gets the conversation rolling about why we believe the things we believe.

JOHN: So who is the god of the United States, or do we need to watch the film to find out?

Will: (laughs) I think by the end of the film you begin to realize the importance of asking the questions. Because as you see the movie go on, there are plenty of people that say that they believe in Jesus and then when we ask “how do you get to Heaven?” they say “I don’t really know, just be a good person and you get there.” So the movie kind of turns into this open discussion about the importance of asking those tough questions. If I had to answer your question about the god of America, I honestly couldn’t tell you (laugh). The interesting thing about the movie is, there wasn’t one person that we interviewed around the United States that didn’t know who Jesus claimed to have been – which is pretty cool. The bummer part about that is when asked how we get to Heaven, about 95% of those people said “just be a good person.” So there’s this disconnect about what people claim to believe, and then at the core what they actually believe and live out. So, not sure who the “god” is actually.

JOHN: Ok, three part question: In either one of these adventures, did you ever feel like you were in a risky situation – physically, spiritually or potentially embarrassing?

Will: Wow, great question. Ok, physical harm – ya know, we were driving my buddy’s Tahoe across the country and crossed 100,000 miles in it (laughs), so there was always an element of harm to our safety. Also, we used this website to basically find the place we were going to stay at every night. Real quick story, the first night we ended up staying with a stranger – this guy out of Huntington Beach who was Mormon. He gave us surfboards to go surfing that day, bought us pizza that night and that whole experience was amazing. The next night in Long Beach (and this is all in the movie) we ended up finding this lady who let us stay at her house. Turns out she was a sadomasochist and also a lesbian, so when we got into her house there was pornography all over the walls and it was like all this inappropriate stuff that freaked us out – so we really did fear for our safety at that point, what we just walked into. So that is probably the only moment we feared for our physical safety.

Spiritually, I think for me the night that sticks out (and it might be different for the guys) was this one night in North Carolina were we stayed with a family that was Muslim. When we got there (this is in the film as well), they ended up cooking us dinner and then we sat around their living room for about 4-5 hours just talking about the differences of what they believed and the Christian faith. At this point all I really knew about Jesus was what was told me growing up in the church so I had all these “ready-to-fire answers to some of life’s tough questions” but when I was actually put on the spot about how I knew they were true, I really didn’t have a response for them. It was great because they just totally debunked what the Muslims believe and what they stand for. At that point in my life (laughs sheepishly) the only exposure I had to them were the events of 9/11. So [in the film you see] their compassion as they walk us through what their beliefs are, just so kind and hospitable that I couldn’t help but honestly be shaken a little bit in what I believed. They seemed to have so much more knowledge about what they believed and seemed to have asked those tough questions for themselves, whereas I was at a point in my life where I hadn’t. So that was a moment for me. I don’t think that it really shook my faith enough to be able to leave God, but it definitely encouraged me to ask those tough questions for myself and really take my faith more seriously.

So embarrassing moment… I guess that it was that same time. When they asked me why I believed Jesus did all those things He said He did and I didn’t have any evidence for them other than the Bible – that was somewhat embarrassing – because I hadn’t really studied Scripture or what other religions even believed.

JOHN: Will, we really appreciate you taking the time to talk with us… one last question for you… How much coffee did it take for you to pull these adventures off? Didn’t you have a train ride in the movie that was like 17 days or something…?

Will: Oh, well none of us were really obsessed with coffee at that point but we really did consider calling up Red Bull to tell them how thankful we were that they existed. We’re the biggest Red Bull supporters solely because they got us through Europe (laughs). Even in the studio footage in Beware of Christians, when we’re sitting there with coffee mugs I’m pretty sure we’re drinking either Red Bull or Dr. Pepper, just to keep ourselves awake.

JOHN: Will, thank you again for your time, we really appreciate it a lot. We’re looking forward to see how Beware of Christians continues to do at Family and obviously One Nation Under God as well.

Will: Thank you so much, we love you guys, what you’re doing. Anytime we can connect we really do appreciate it - it means a lot to us.

You can check out the team’s films here and here.


Friday, March 23, 2012

How Can We Keep From Singing?

I remember when I was young, I was always ashamed to sing.  Specifically singing at church.  Because, truth be told, I had to be cool.  I had to make sure that everyone liked me and that I wouldn't stand out as being a dufus.

Now, as an adult, I don't really care what people think of me and I can't stop singing. During the singing time at church, I usually am the one singing too loud.  From time to time, there will be people that will turn around and look at me, smile and turn back around again.  I know it's because I am singing so loud.  They are probably thinking "Bless his heart... He's trying so hard..."

When I listen to myself sing, I do realize that I don't have that great of a voice - but it doesn't stop me.

In 2 Chronicles 30 we read "the Levites and the priests praised the LORD day by day, singing with all their might to the LORD."  Perhaps what we can learn from this is that when we are in worship, we should be singing at the top of our lungs, with all of our strength, to the Lord.

When in worship, let's not hold back in singing to God.  For what else could we do?

Thursday, March 22, 2012

You Are Wanted


"You are wanted."

Those words can build a kingdom. They can shape a soul. 
When spoken to an orphan or a widow, they can transform a heart.

Join me in declaring to orphans and widows everywhere that they are wanted.

On May 12, 2012, I will be running 15.5 miles in the 5/3rd River Bank Run.  Not just so that I can say that I did it, but so that I can raise both awareness and money for an organization that is all about helping both the orphan and the widow.

The James Fund, is a non-profit organization dedicated to meeting the needs of orphans and widows around the world. God's direction and purpose for a mission like this is defined in James 1:27: "Religion that God our Father accepts as pure and faultless is this: to look after orphans and widows in their distress..."

Would you join me?
Could you join me?

"How?" you may ask.

No worries - I am not asking you to run 15.5 miles with me - although if you want to, you sure can.  I am asking if you would pledge me to run this race.  If you click on this link, it will take you to a form that you can fill out and email back to me.  Or, to make it easier, you could just email me and let me know that you would like to help out.

Thank you for considering this.

John 

Wednesday, March 21, 2012

The Withered Hand


In Matthew 12, we read the following story; "[Jesus] went on from there and entered their synagogue. And a man was there with a withered hand. And [the pharisees] asked Him, 'Is it lawful to heal on the Sabbath?'—so that they might accuse Him. 
He said to them, 'Which one of you who has a sheep, if it falls into a pit on the Sabbath, will not take hold of it and lift it out? Of how much more value is a man than a sheep! So it is lawful to do good on the Sabbath.'"

Then Jesus did the unthinkable.
To some around Him, he did the absurd.


Then He said to the man, “Stretch out your hand.” 

What?
What did Jesus just ask?
Did Jesus just ask this man to show his withered hand?  
To show his deepest secret?  
His shame?
What on earth was Jesus doing?
Does He not even consider what this man has faced all of his life? 
What about the pain?
What about the ridicule?
WHAT ABOUT THE SHAME?
WHAT ABOUT MY SHAME?
WHAT ABOUT MY PAIN?


But that is what Jesus does.
Isn't it.
He comes to us and asks us to expose our shame.  Our nakedness.  Our weakness.  Our sin.
Then He does the unthinkable.
He restores us.
He heals us.
He forgives us.
He surrounds us.
He reminds us that we are His.

And the man stretched it out, and it was restored, healthy like the other.

Tuesday, March 20, 2012

The Greatest Need


The greatest need the world is not to end Kony2012, nor to find a cure for AIDS/HIV, or even to end world hunger. Those things are surely important, but they are not the greatest need.

The GREATEST need the world has is to know CHRIST.

There is no other hope to be found.
There is no other peace to be had.
There is no other joy to be experienced.
There is no other water that can truly satisfy.

Save
 the
  world
   by
    making
     Christ
      known.

Monday, March 19, 2012

The Good Life

The Gospel is not for those who are living the "Good Life."  For if one has the good life, in essence, they wouldn't need heaven nor Christ Himself.  For they have The Good Life.

The Gospel, on the other hand though is for those who don't have the Good Life.  The Gospel is for broken down, beat up, desperate sinners.  The Gospel is for those who recognize that they are cheaters, manipulators, thieves, adulterers, murderers... and the list goes on.  The Gospel is for those who recognize that they are all of these things and more - and have repented of them.  

The Gospel is for you and the Gospel is for me.
Come, ye sinners, poor and needy,
Weak and wounded, sick and sore;
Jesus ready stands to save you,
Full of pity, love and power.

Friday, March 2, 2012

Music for Today

Here is a list of artists that I listened to today.

Disciple
Fusing stadium-ready guitar riffs, anthemic choruses, and stomping backbeats with passionate lyrics that proclaim a message of hope, Disciple stuffs their self-titled record with muscle, both sonically and emotionally. Huge riffs and even bigger choruses that bounce in your brain will have you rolling down your car windows and singing at the top of your lungs. And, hey, isn't that what rock and roll is all about? 




Propaganda
This full length record is produced entirely by Odd Thomas and features Propaganda doing both rap and poetry pieces.

The download comes with bonus artwork. Humble Beast's goal is simple, give the record away to as many people as possible.

Please join them in spreading the word and sharing the music.





Morella's Forest
Four-song EP release featuring the ever-popular "Hang Out" taken from the debut full-length "Super Deluxe". This disc also features some of the band's harder rocking recordings, including "Art Of Love" and the noise art experimentation of "Pasty White". A real highlight for sure is the MoFo take on Aimee Mann's Til Tuesday classic "Voices Carry". This record is a must have just for the back cover photo, a rather unexplainably trippy though humorously cool and bizarre photo of the band and singer Sydney Rentz with her Persis Khambatta haircut. 


Showbread 
They define themselves as "raw rock." Fitting enough, but in layman’s terms, Showbread is somewhere between pop/punk and hardcore. It almost seems unnatural to say "pop/punk/hardcore," but that’s what it amounts to. The amusingly titled No Sir, Nihilism Is Not Practical is a thirteen track journey through the creative minds of the seven, yes seven, individuals that make up the band.
Screaming is common, but not exclusive. It’s sometimes combined with a voice simply speaking the words that are being screamed. Ivory Mobley and Josh Dies combine their vocal abilities to give Showbread a voice that is almost bipolar in it’s formula. You simply don’t know what lies past the next door. Things do slow down at times, however, coming to an almost halt on one occasion.
Some of the band's best moments are actually when things are toned down a notch and the band possesses that pop/punk feel. But they are truly gifted in the hardcore department, but they add their own unique feel to everything they touch. For example, Showbread’s sound isn’t simply confined to guitars. A key-tar keeps the music going, as well as synthesizers that almost give the disc a, and I am reluctant to even suggest this, techno feel at times.
With song titles ranging from "A Llama Eats a Giraffe (And Vice Versa)" to "If You Like Me Check Yes, If You Don’t I’ll Die," it’s quite apparent in just about every department that Showbread is trying to do things a little bit differently. Their "take no prisoners" approach to lyrics is especially noticeable (A song about gossip is entitled "Mouth Like a Magazine"). No subject is off limits, and Showbread brings all to the forefront and deals with each in a down-to-earth manner that just begs to be heard.
This is an obnoxious, raucous, and mind-blowing fifty-four minutes of music that rarely slows down. Most definitely not for all, but the urgency and energy will most definitely make fans out of many. Showbread is the kind of band you just know has to put on an amazing live show, and I anticipate the day that I can see it.



Greg X Volz
The River Is Rising stands out as the most guitar driven project Greg X. Volz has been associated with, the album holding up in a noteworthy manner by combining Volz's terrific voice with a highly refined production job.  Heavier numbers like "Barrier", "Joyous Grave", "Livin' For The Bell", "All I Can Do", "Heaven Is Within You" and "Hold On To The Fire" are worth the price of the album alone.  If you enjoy melodic hard rock but require something with a bit more muscle than Petra, then you will not be disappointed with The River Is Rising. 



David Meece

 Great album of ccm classics, to include "All is GOD's Creation: which I have luved since first time I heard it. I also have the video production for "...GOD's Creation". "HIS Love was Reaching" another lp favorite as is title song "Candle in the Rain";also like "Amor Conquista Todo (Love Conquers All).






Fear Not
As you read in CR18, this team were previously Love Life and this is a huge improvement on that version of the band's one Blonde Vinyl outing (unreleased here). Our article revealed that the team spent three months in the studio cutting Tear Not' (to give you some idea of differing British CCM budgets, the last album I produced was recorded and mixed in two weeks!). But I digress. This is tough mainstream metal with the Pakaderm brothers refraining from their tendency to make their productions identically Petra-ish. The band describe their sound as "Seattle crunch rock with a melodic edge" which sums it up. I liked it, John. 

Sara Kelly
 Sarah Kelly is the latest talent scouted by Toby McKeehan's own label Gotee Records. Helming from Rockford, Illinois, Sarah offers a positive and often worshipful pop/rock sound on her debut, Take Me Away, showcasing her versatility in songwriting.
The title cut opens the album, a catchy radio-friendly pop/rock song that easily represents what Sarah's heart and focus is all about. "With You" follows, a passionate acoustic-driven track that displays Kelly's commanding vocal power. Many times throughout the record, Sarah's vocal style varies greatly, mixing a sound reminiscent of artists like labelmate Jennifer Knapp, Plumb, Alanis Morisette and even The Cranberries. Despite being able to associate her styles with other popular artists, Kelly's delivery is unique, resulting in a sound that seems all her own. Although this is Sarah's first national recording, her vocal confidence gives her the feel of an experienced veteran. Highlights like "Forever" and "Take Me Away" prove that Kelly shouldn't have a problem quickly establishing a fan base. Her lyrics are passionate and personal, forsaking the trite to adopt relevant themes. Songs like "Living Hallelujah" and "Please Forgive Me" are humbling moments for Kelly, admitting her brokenness and need for her Savior.
Kelly offers powerful and passionate vocals that demonstrate vocal authority and versatility on Take Me Away. Fans of Knapp, Morisette, Plumb, and solid female-fronted rock 'n' roll-glazed pop will find a surprise gem in Sarah Kelly's debut album, Take Me Away


It seems that sometimes it's the collaborative efforts between a few truly creative minds that bring out the best in the individuals involved. Pop vocalist Leigh Nash and songwriter Matt Slocum were a divine pairing when Sixpence None The Richer was together. Last year, Nash made her solo debut, and although the record offered some fantastic melodic pop tunes, Slocum's touch was missed. Fauxliage finds Nash pairing up with Bill Leeb and Rhys Fulber of the alt/ambient pop group Delerium for a new direction in music for the vocalist. 
Fauxliage isn't Leigh Nash's first collaborative effort with the guys of Delerium. She's contributed her talents to a few songs on the group's own albums, but this time provides the vocals to all of the tracks on Fauxliage, save for a pair of instrumentals. Sixpence fans might notice that Leigh's vocals are much more channeled towards the melancholy than her solo project Blue On Blue and there is no upbeat fluff here at all. "All The World" opens the project, a noticeably moody but ultimately slick and delightfully dreary electronic pop song. Nash's lyrics are some of her best to date on this record, and the artist has admitted that they're some of her most personal as well. While she writes ambiguously, she's also not afraid to mince words, stating bluntly (and arguably inappropriately) "It's hard as hell tonight to sleep" in the heartbreaking "Let It Go" (also the only song in the CD jacket not to have lyrics included), and on "All Alone" she asks, "What is it for? What is this for? If love is not for us / Then who is it for?" There is still hope to be found on the album however, with "Rafe" serving as a prayer for Leigh's ailing cousin for recovery (and who has since started doing well).
Musically, the album mixes sort of a mid-90's electronic pop vibe with a modern enough feel not to sound irrelevant or dated. By the time the second instrumental track "Vibing" sounds, followed by the pensive closer "All Alone," the album has resolved with a distinct smoothe and soothing ambience. Tacked onto the nine-track album are two remixes of "Rafe," the first of which is completely out of place amongst the rest of the record with a horn-glazed retro feel, with the second sounding much more like your typical remix but with a delightfully chunky beat. Both mixes are unnecessary, however, and rather redundant with one right after the other falling two tracks after the original mix. I can't help but feel as though the record would have benefited from ending after the initial nine songs to give it a more cohesive presentation.
All in all, Fauxliage seems a natural follow-up to Leigh Nash's previous collaboration. The silky smoothe and entrancing vocals from Nash meld well with Leeb and Fulber's creations. It's a thoughtful project with dark undertones that have little, if any, spiritual substance but more so explore love and loss. Although it's unclear whether or not Nash will continue to work with the guys from Delerium, it'd be interesting to see where the Fauxliage project progresses. More spiritual depth would help fill a void for music like this, but until then, we have Fauxliage's impressive debut. 


POD
I feel like a proud parent. Hard rockers P.O.D. have been kickin' up dust in the music business for years, but it wasn't until their 1999 release The Fundamental Elements of Southtown that they have received the attention they deserve. The band has come along way. Straight from the ghetto in San Diego, California, P.O.D. has been bringing love to a dying world since 1992. You can find the band's sweet slammin' hardcore tunes on the likes of even MTV now, as their first new single "Alive" has even hit #1 on the hit video show "TRL" (Total Request Live) recently. These boys have something to say, and with the release of their new album Satellite, they're still spreading the love and representing Christ in a fallen world.
Now when I say I'm a proud parent, don't let that fool you. I can not say I'm a long-time diehard P.O.D. fan. It wasn't until the beginning of last year, even, that I grew to love their groove-laced hardcore-based rock. And fortunately, I can say it was right before a lot of the secular fuss began. I'm proud to find that the guys have not watered down their message in any way, shape, or form, and in some ways seem to hit harder with a message of hope and love in our Savior (who they often refer to as "Jah"). Anyhow, hey-hey the boys are back. Satellite follows the incredible sounds of ...Southtown with a fresh sound that will please some, and depress others.
P.O.D., short for Payable on Death, showcases much musical growth on Satellite, as melodies not just creep in on this release, but seemingly take over and dominate the record. While many fans may find the softer sounds disappointing, P.O.D. will surely be making new fans among those who find the frequent screams of past tunes a turn off. But what I am missing most is the heavy infectious loud rhythms that "Southtown," "Whatever It Takes," "Outkast," "Tribal Warriors," and many other older tunes possessed. Thankfully, though, new songs "Set it Off," "Boom," and to an extent "Alive," "Youth of the Nation," and "Anything Right" accomplish this, but not as frequently as in the band's past. Harmonies rule such tracks as the modern rock tune "Satellite," "Ghetto," and "Thinking About Forever," a song about the death of lead singer Sonny's mother.
I have found myself torn about exactly how I feel towards the style shift of the new record. The CD is excellent, but delivers a much softer musical blow than previous efforts. Of course it is all part of the band's musical evolution, but for fans, it may be too drastic of a change. But again, it's not necessarily a bad one. The softer melodies flat-out work. "Satellite," "Ghetto," and "Thinking About Forever," are superb tracks. Sonny's stretches his vocals for not just raps and rhymes supported by funky beats and sweet guitar riffs, but to harmonize and emit possibly more passion and emotion than he has before. 
Satellite is a solid record from one of the most promising rock bands around today. Although it may not live up to the hard-hitting expectations that many fans will have, Satellite still delivers with some well-crafted songs and a message that needs to be heard.  


Imagine Depeche Mode working with Bjork, with a touch of the electro revival as well as the genuine 80s heart of synth collectives like Book of Love and throw in some leftfield yet catchy songs, and you get an idea of the Venus Hum sound. Though I must admit I might have a conflict of interest as I live in Nashville and have been watching Venus Hum perform and listening to their self-released Mono-Fi debut for the past three years. So when I bought their debut album, I was astounded that they were able to exceed my high expectations. Hearing songs like "Sonic Boom" and "Montana," which have moved Nashville crowds to dance (an arduous and exhaustive task in and of itself), retooled and sharpened with even more hooks was a pleasant surprise. I could swear that Tony and Kip used Tamperer samples to fill out "Montana." Listening to "Soul Sloshing," I envision a Pet Shop Boys production at the pinnacle of their career - with Annette vamping over the catchiest and most energetic dance music this side of the Atlantic. "Honey" also stands out as catchy electropop that you would have expected to hear on one of the best 80s movie soundtracks. 

The reviews are from various places on the internet...